This week’s article summary
is Children's
Books with Humans Have Greater Moral Impact Than Animals
On the one hand, this article
made sense but on the other it surprised me.
As younger children are
literal and concrete, it makes sense that a book’s moral is more easily
reinforced with human characters in the story.
But one would think that even
young kids would see the moral in a story with animal characters: after all,
sharing is sharing and being nice is being nice whether the doer is a person or
an animal.
Perhaps younger children
recognize that stories with animal characters are make believe and ones with
humans are more realistic, and hence more applicable to their lives and
actions.
Regardless I don’t think
we’ll start seeing more children’s books with human rather than animal
characters: Frog and Toad mostly likely won’t be replaced by the Kim and Kylie!
Joe
-------
Forget the morals that
millennia of children have learned from the Hare and the Tortoise and the Fox
and the Crow: Aesop would have had a greater effect with his fables if he’d put
the stories into the mouths of human characters, at least according to new
research.
Existing studies showed that
before age six are more reluctant to share.
Reading a book about sharing
can have an immediate effect on children’s pro-social behavior. However, the
type of story characters significantly affects whether children became more or
less inclined to behave in a pro-social manner. After hearing the story
containing real human characters, young children became more generous. In
contrast, after hearing the same story but with anthropomorphized animals or a
control story, children became more selfish.”
The finding is surprising
given that many stories for young children have human-like animals.
From Aesop to the Gruffalo
via Winnie-the-Pooh, talking animals play a major part in children’s literature.
A 2002 review of around 1,000 children’s titles found that more than half of
the books featured animals or their habitats, of which fewer than 2% depicted
animals realistically, the majority anthropomorphizing them.
We tell stories to children
for many reasons, and if the goal is to teach them a moral lesson then one way
to make the lesson more accessible to children is to use human characters.
Chris Haughton, author and
illustrator of animal picture books including Oh No, George! and Shh! We Have a
Plan, felt that while “a simple instructional moral message might work short
term”, the stories that have longer impact are the ones that resonate deeply.
“I read Charlotte’s Web as a child and I know that made a big impression on me.
I thought about it for a long time after I read the story. I identified with
the non-human characters. That, among other things, did actually turn me into a
lifelong vegetarian. I think a truly engaging and quality story that resonates
with the child will be replayed in their mind and that has the real effect on
them and the course of their life,” he said.
Picture book author Tracey
Corderoy said that in her experience, “where the main characters of a moral
tale are animals as opposed to humans, the slight distancing that this affords
the young child does a number of important things. It softens the moral message
a little, making it slightly more palatable. Some would feel that this waters
it down and makes it less effective. But the initial ‘saving-face’ that using
animals brings quite often results, I feel at least, in keeping a child reader
engaged.”
Kes Gray, the author of the
bestselling rhyming animal series Oi Frog and Friends, was unperturbed by the
researchers’ findings. “Authors and illustrators have no need to panic here, as
long as we keep all of the animal protagonists in all of their future stories
unreservedly cuddly. Big hair, big eyes and pink twitchy noses should pretty
much nail it,” he said.
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